June 20, 2014
“Hello there, this is The Family Doctor ....”
So began the 1932 radio program The Family Doctor. This introduction came from the family doctor himself, Dr. Grant Adams.
The Family Doctor was a family drama. Cedarton is a typical small town in an unnamed state, where you knew your neighbors and you could leave your doors unlocked. Today the show is a reminder of simpler times, when old-fashioned moral values were in full bloom and the sense of community was strong.
Adams is a kindly small town doctor who serves the citizens of Cedarton, tending their bodies as well as their souls. He is a pillar of the community, dispensing both medical advice and common sense wisdom to patients in need of both. Wise and humorous, Adams helps keep his patients on a moral path when they stumble while tending to their bodily ills. This includes an overweight policeman who’s distrustful of strangers and the town gossip who hurts the feelings of others with her insensitivity.
Each episode is a combination of medical treatment and sage advice, not to mention drama such as dam burstings, robberies and attempted suicides, and it’s easy to see that The Family Doctor was an early prototype for television’s later medical soap operas. Unlike many programs of the day, The Family Doctor had re-appearing characters and story arcs.
With its roster of colorful characters, from Griff, the boat rental proprietor who works too hard and won’t rent boats to young unmarried couples, to Pete May, the drugstore owner who has to drive Dr. Adams on a house call, to Elle Marie, who is suicidal, to Chick, who works at the drugstore and is the object of affection of two young girls who vie for his attention, Cedarton feels three-dimensional.
The show ended with a three-part storyline in which Dr. Adams was forced to decide about his future, and that of Cedarton, in the episodes “The Call”, “The Decision” and “Farewell to Cedarton”.
The Family Doctor was produced by Transco Syndication. There were a total of 39 fifteen minute episodes produced, and are included in this set.
This doctor makes house calls. 10 hours. $29.98 Audio CDs / $14.99 Download
70th Anniversary
It was the largest, most ambitious, and most successful military operation ever attempted -- and radio was there to cover it.
D-Day, the invasion of Normandy. It was the turning point of the war in Europe, the beginning of the end for the Axis as the Allies started their drive towards Germany. It was a momentous event that would change not only the course of World War II, but the history of the world. Radio Archives is pleased and proud to offer the complete and continuous CBS network coverage of the events of June 6 and 7, 1944.
Hear President Roosevelt, the BBC feed of Communique #1, General Eisenhower from SHAEF headquarters, King George VI speaking from London via the BBC. Bill Henry in Washington interviews Congressmen Moss, McCormick, Rogers, Voorhees, Mundt, Herbert, and Gore.
Regular CBS shows were included in the broadcast, “The Passing Parade”, “Columbia Presents Corwin”, “Burns & Allen”, “1st show of “The Doctor Fights”, “Perry Mason”, “Valiant Lady,” “Light of the World,” “The Open Door,” “Bachelor’s Children”, “Kate Smith Speaks”, “Big Sister”, “The Romance of Helen Trent”, “Life Can Be Beautiful”, “Ma Perkins”, “The Goldbergs” among them.
Hear the events of the day as reported by Irwin Darlington, Robert Trout, Maj. George Fielding Elliott, Ned Calmer, Quentin Reynolds, Alan Jackson, Merrill Mueller, Douglas Edwards, Quincy Howe, William Shirer, John Daly, and Edwin C. Hill with “The Human Side of the News”. Reporting from London are Edward R. Murrow, Wright Bryan, John W. Vandercook, David Anderson, Arthur Mann, and Charles Shaw reports from the BBC in London.
Herbert Clark reports from the invasion fleet off the coast of England, an eyewitness account of the first parachute drop, James Willard from SHAEF headquarters in London describes the invasion fleet from the air. Richard C. Hottelet describes the invasion from a plane over the beaches, French Colonel Morrison who describes the area of the invasion landings, Stanley Richardson eyewitness account of the invasion fleet, Charles Collingwood aboard an LST in the invasion fleet, and George Hicks from the invasion fleet, describing the shore bombardment before the landing.
These are recordings that many historians believe to be among the most valuable audio documents ever preserved. The CBS broadcasts — containing 34 hours of continuous programming of news, music, drama, comedy, and entertainment — are history as it happened, in a special collection that is sure to occupy a special place in your radio collection.
34 hours. Normally priced at $101.98 Audio CDs / $55.99 Download, CBS D-Day is Specially priced through the month of June at only $89.98 Audio CDs / $44.99 Download.
Ten years ago on June 6, 2004, in remembrance of the 60th anniversary of the Normandy invasion, the ABC Radio program Perspective featured a fascinating story detailing radio's coverage of D-Day as it happened in 1944. Written, edited, and narrated by ABC reporter Chuck Sivertsen, the feature incorporated clips from the Radio Archives D-Day collection. We believe this in-depth and well-presented feature provides an excellent overview of the historic content of this collection.
70th Anniversary
It was the largest, most ambitious, and most successful military operation ever attempted -- and radio was there to cover it.
D-Day, the invasion of Normandy. It was the turning point of the war in Europe, the beginning of the end for the Axis as the Allies started their drive towards Germany. It was a momentous event that would change not only the course of World War II, but the history of the world. Radio Archives is pleased and proud to offer the complete and continuous NBC network coverage of the events of June 6 and 7, 1944.
Noted inspirational author Dr. Norman Vincent Peale, King Haakon VII of Norway, Premier Gerbandy of the Netherlands, Premier Pierlot of Belgium, and US Senators Clark, Barkley, White, Hill and Congresswoman Clare Boothe Luce speak, as does the President of the United States, Franklin Delano Roosevelt. General Eisenhower speaks from SHAEF headquarters.
Regular NBC shows were included in the broadcast, “The Bob Hope Show”, “Fibber McGee & Molly”, “The Guiding Light”, “Vic & Sade”, “The Red Skelton Show”, “The Road of Life”, “Today’s Children”, “Ma Perkins”, “Pepper Young’s Family”, “Mary Noble, Backstage Wife”, “Stella Dallas”, “Lorenzo Jones”, “Young Widder Brown”, “When A Girl Marries” and “Front Page Farrell” among them.
Hear the events of the day as reported by Ben Grauer, Cesar Saerchinger, Charles F. McCarthy, David Anderson, Don Goddard, Don Hollenbeck, Ed Hocker, Edward R. Murrow, Elmer Peterson, George Wheeler, H. V. Kaltenborn, Herbert M. Clark, James Willard, John W. Vandercook, Louis P. Lockner, Lowell Thomas, Merrill Mueller, Morgan Beatty, Ralph Howard, Richard Harkness, Robert McCormick, Robert St. John, Tommy Traynor, W. W. Chaplin and Wright Bryan. Alex Dreier, in Chicago, recalled his experiences as the last western correspondent in Nazi Germany while Stanley Richardson offered an eyewitness account of the invasion from the Channel boats, and George Hicks reported from the beach-head itself!
These are recordings that many historians believe to be among the most valuable audio documents ever preserved. The NBC broadcasts — containing 38 hours of continuous programming of news, music, drama, comedy, and entertainment — are history as it happened, in a special collection that is sure to occupy a special place in your radio collection. 38 hours. Normally priced at $113.98 Audio CDs / $56.99 Download, NBC D-Day is Specially priced through the month of June at only $99.98 Audio CDs / $49.99 Download.
Special 50% discount Offer
"Enemy to those who make him an enemy...Friend to those who have no friend!"
That's Boston Blackie, safecracker turned crime fighter and a long-running favorite with fans of straight-ahead detective fiction. The actor who would ultimately be radio's Blackie for the greatest length of time seemed, initially, to be a rather odd choice for the part: Broadway leading man and sometime soap opera actor Richard Kollmar, best known to radio fans along the Eastern seaboard as the urbane Dick of WOR's "Breakfast with Dorothy and Dick," a morning show which also featured his wife, newspaper columnist Dorothy Kilgallen. In 1944, he was contracted to star in a series of 220 syndicated episodes of "Boston Blackie," produced at station WOR in New York City and distributed by the Frederic W. Ziv Company of Cincinnati. The programs were not in-tended to be groundbreakers or trendsetters; instead, this solid, workmanlike product of the WOR writing and dramatic staff was designed to be equally successful in both major metropolitan markets and small-town settings.
Its professional gloss, coupled with lighthearted storytelling, kept "Boston Blackie" in distribution well into the 1950s, remaining for many years a reliable feature for small-town stations across the United States. The able and rather charming Kollmar is joined in these syndicated episodes by two other familiar WOR voices: Maurice Tarplin - the "Mysterious Traveler" himself - as Inspector Faraday, and Jan Minor, who would later best be known as Madge, the wisecracking manicurist for Palmolive Dishwashing Detergent, as girlfriend/inconvenience Mary Wesley.
Its professional gloss, coupled with lighthearted storytelling, kept "Boston Blackie" in distribution well into the 1950s, remaining for many years a reliable feature for small-town stations across the United States. The able and rather charming Kollmar is joined in these syndicated episodes by two other familiar WOR voices: Maurice Tarplin - the "Mysterious Traveler" himself - as Inspector Faraday, and Jan Minor, who would later best be known as Madge, the wisecracking manicurist for Palmolive Dishwashing Detergent, as girlfriend/inconvenience Mary Wesley.
There's no tormented noir drama here, no deep layers of introspection, just good old-fashioned crime solving fun. And you can enjoy the clean, crisp sound of these newly restored episodes in this second collection from Radio Archives - ten more hours of great sounding light-hearted detective action and adventure. Included are the first two shows from the 1944 summer series starring Chester Morris, as broadcast over NBC, and the remaining shows feature Dick Kollmar in the leading role. 10 hours. Regular Price $29.98 - Specially priced until July 3 for $14.99 Audio CDs / $7.49 Download
by Edith and Ejler Jacobson writing as Randolph Craig
Read by Michael C. Gwynne. Liner Notes by Will Murray
When we released the first issue of The Octopus as an audiobook, of course you asked for more. This ultra-rare 1939 pulp magazine was a Weird Menace extravaganza named after its villain, with the nominal hero operating in not two, but three identities battling him every step of the way.
For reasons that remain recondite, the second issue of The Octopus was retitled The Scorpion. And the sinister supervillain was renamed. Otherwise, the magazine was a direct continuation of the previous incarnation, with the new leader of the Purple Eyes Cult attempting to force New York to knuckle under his iron rule through terror and intimidation. Only the Skull Killer could stand up to him.
There’s a lot to be said for this crazy pulp concept. And much more to be wondered about.
Why did Popular Publication change the title? No one recalls. But only a few months prior to the debut of The Octopus early in 1939, The Spider’s Web movie serial debuted. It pitted the Master of Men against the super-criminal called the Octopus. This was a different Octopus, but perhaps Popular Publications’ editors decided the name was too good not to exploit. Quite possibly Columbia Pictures felt that Popular was infringing upon their rights, and asked them to cease and desist, forcing a hasty rewrite of Randolph Craig’s second novel. It’s as good a theory as any.
For that matter, who was the pulpster lurking behind the pseudonym, Randolph Craig? Was he even one individual? Theories range from The Spider’s Norvell Page to Terror Tales mainstay Donald G. Cormack.
Popular’s records show that Edith and Ejler Jacobson were paid to rewrite the Octopus origin story, The City Condemned to Hell. But the single payment record that survives for Satan’s Incubator suggests that the husband and wife editorial team may have penned the only Scorpion novel from scratch.
For yes, sadly, this is the end of the brief but bloody career of Jeffrey Fairchild, who also did good as ghetto medico Dr. Skull and by night operated as the scourge of the underworld, the Skull Killer, stamping a grisly death’s head on the foreheads of his dead, defeated enemies.
Now, steel yourself for this hair-raising sequel read by the nervous but otherwise very capable Michael C. Gwynne. For as vicious and diabolically over-the-top as the Octopus was, the Scorpion is far, far more sinister. Here, he transforms entire families into soulless, bloodthirsty maniacs....
Also included are three weird novelettes, William Hines’ “Evil in a Glass Jar,” Donald Dale’s “Vendetta for the Dead,” and Wyatt Blassingame’s “The Corroding Death!”
The Skull Killer strikes again! 6 hours $23.98 Audio CDs / $11.99 Download
Robert Weinberg Presents
by Brian Lumley
Read by Nick Santa Maria
A Necroscope® as defined by Brian Lumley, the British author of The Necroscope® series, is a person with an ESP power that allows him to communicate with the dead. A Necroscope® contacts the minds of corpses, which do not perish at death. Communication is two-way and peaceful. Harry Keough is the greatest Necroscope® in the world.
Harry Keough always considered himself a master of the Möbius Continuum—another dimension existing parallel to all space and time. It served as his personal instantaneous gateway to anywhere in the known universe, past or present. But Harry's knowledge was not unique; two other intelligences, with powers similar to his, existed. One was the long-dead August Ferdinand Möbius himself, the German astronomer, mathematician, and discoverer of the Möbius Strip. Only after death was Möbius able to mentally explore his previously theoretical Continuum. The other was Harry’s son, who not only inherited his father's mathematical skill but also the metaphysical talent by means of which the Necroscope® conversed with dead people in their graves.
Thus, it was a major shock to Harry, when returning home via the Möbius Continuum from an adventure in Las Vegas, he observed for an instant a unknown human hurtling uncontrolled through the endless coils of the Möbius Continuum. Who was this stranger and how was he rocketing through the darkness of the mind-numbing dimension? More to the point, if he was not someone who entered the dimension on his own, who sent him there? Was this an attempt at murder by Möbius? Harry felt sure that neither his son or Professor Möbius was responsible for this outrage. Then who was? It was a question that Harry felt he had to answer, even if it meant putting his own life in danger. It’s an all-new, standalone adventure, set in the incredible world of Harry Keough, the Necroscope®!
Brian Lumley is the author of the bestselling Necroscope® series of vampire novels. An acknowledged master of Lovecraft-style horror, Brian Lumley has won the British Fantasy Award and been named a Grand Master of Horror by both the World Fantasy Convention and the Horror Writers Association. His works have been published in more than a dozen countries and have inspired comic books, role-playing games, and sculpture, and been adapted for television. When not writing, Lumley can often be found spear-fishing in the Greek islands, gambling in Las Vegas, or attending a convention somewhere in the US. Lumley and his wife live in England. 5 hours $19.98 Audio CDs / $9.99 Download
Robert Weinberg's photo gallery
Bob with Walter Gibson, author of the Shadow novels at Pulpcon 1980
by Norbert Davis with an introduction by John D. MacDonald
Read by Milton Bagby
Enjoy the adventures of Max Latin, the detective who doesn't want to be a detective! Author Norbert Davis mixed the classic hard-boiled style with humor, making Max Latin unique in pulp fiction. Appearing for five screwball stories in Dime Detective, this new edition includes an authoritative introduction by fellow Dime Detective scribe, John D. MacDonald.
"Watch Me Kill You!" — I'll do an artistic job of it and everything'll be over and we'll have you all comfortable in your coffin before you know it. We will, that is, if we can keep Latin, the only shamus who might gum the works, sufficiently soaked in brandy till your grave's filled.
"Don't Give Your Right Name" — If you happen to get in the line of fire of a baleful Borgia on a murder rampage. Take a lesson from a shamus with a shady rep and stagger out of the way with plenty of brandy under your belt. You'll come out on top much quicker, with dough in your kick to boot, and a hell of a lot less grief.
"Give the Devil His Due" — As he accepts a murder commission—for a price—and joins up with the busy folk who are searching the missing Jupiter Zachary—to make sure he stays that way, and preferably dead.
"You Can Die Any Day" — In a variety of unpleasant ways, as the unctuous Mrs. Gregory Farmer soon found out when she decided to become a client of that nonesuch of the genus sleuth, the brandy-drinking Latin, who couldn't keep his feet out of the blood puddles any more than he could keep his beak away from a sniffing-glass.
"Charity Begins At Homicide" — With Max Latin and Carter-Heason, the guy strictly from Kipling, following the latest goings-on of the “Charity” racket.
Read with tongue in cheek by Milton Bagby. 8 hours $31.98 Audio CDs / $15.99 Download
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New Will Murray's Pulp Classics eBooks
The best of timeless Pulp now available as cutting edge eBooks! Will Murray's Pulp Classics brings the greatest heroes, awesome action, and two fisted thrills to your eReader! Presenting Pulp Icons such as the Spider and G-8 and His Battle Aces as well as wonderfully obscure characters like the Octopus and Captain Satan. Will Murray's Pulp Classics brings you the best of yesterday's Pulp today!
How could Richard Wentworth, in any of his fabulous disguises, destroy the Little Brown Men of Dr. Fuji as long as Fuji’s ghastly power had committed the Spider’s staunchest allies to hunt the Spider unto death?... An epic battle of two giant wills, with the fate of all the people depending upon the outcome! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. $2.99.
Dime Mystery Magazine Edith and Ejler Jacobson and Donald Dale
In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Dime Mystery Magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Dime Mystery Magazine, all written by Ejler Jacobson and Donald Dale, reissued for today’s readers in electronic format. $2.99.
In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Dime Mystery Magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Dime Mystery Magazine, all written by Ejler Jacobson and Donald Dale, reissued for today’s readers in electronic format. $2.99.
Dare-Devil Aces was another of the many pulps that rode the wave of popularity of World War I aviation tales in the decade after the conflict. It made its debut in February 1932 and lasted for an astounding 135 issues. It finally closed after World War II ended, with the November 1946 issue. During its run, it presented a wide assortment of high-flying aerial series, including The Red Falcon, The Vanished Legion, The Three Mosquitoes, Molloy and McNamara, The Black Sheep of Belogue, The Mongol Ace, Chinese Brady, Captain Babyface, Smoke Wade and others. Strap on your flying helmet, toss that scarf about your neck and get ready for some soaring action in the skies over France and Germany during the Great War. Dare-Devil Aces return in vintage pulp tales, reissued for today’s readers in electronic format. $2.99.
G-8 and His Battle Aces #74 November 1939 Red Fangs of the Sky Emperor
“You can’t escape the Death that awaits you —!” And in the still of the night, in the hangar at Le Bourget, Death creepG-8 and his Battle Aces rode the nostalgia boom ten years after World War I ended. These high-flying exploits were tall tales of a World War that might have been, featuring monster bats, German zombies, wolf-men, harpies, Martians, and even tentacled floating monsters. Most of these monstrosities were the work of Germany’s seemingly endless supply of mad scientists, chief of whom was G-8’s recurring Nemesis, Herr Doktor Krueger. G-8 battled Germany’s Halloween shock troops for over a decade, not ceasing until the magazine folded in the middle of World War II. G-8 and his Battle Aces return in vintage pulp tales, reissued for today’s readers in electronic format. $2.99.
“You can’t escape the Death that awaits you —!” And in the still of the night, in the hangar at Le Bourget, Death creepG-8 and his Battle Aces rode the nostalgia boom ten years after World War I ended. These high-flying exploits were tall tales of a World War that might have been, featuring monster bats, German zombies, wolf-men, harpies, Martians, and even tentacled floating monsters. Most of these monstrosities were the work of Germany’s seemingly endless supply of mad scientists, chief of whom was G-8’s recurring Nemesis, Herr Doktor Krueger. G-8 battled Germany’s Halloween shock troops for over a decade, not ceasing until the magazine folded in the middle of World War II. G-8 and his Battle Aces return in vintage pulp tales, reissued for today’s readers in electronic format. $2.99.
99 cent eBook Singles
Each 99 cent eBook Single contains a single short story, one of the many tales selected from the pages of Dime Mystery and Terror Tales. These short stories are not included in any of our other eBooks.
Eddie couldn’t promise the only thing that would make his sister happy... Then a fresh corpse on his doorstep showed him that he might make that pledge — if he could live long enough to keep it! In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Dime Mystery Magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story the pages of Dime Mystery Magazine, reissued for today’s readers in electronic format. $0.99.
John Deering had long been in his grave. But still his will lived, whispering, at first gently, then with all the power of evil: “Kill... Kill!” In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Dime Mystery Magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story the pages of Dime Mystery Magazine, reissued for today’s readers in electronic format. $0.99.
Later, I knew I had been a wild fool, but the decayed, vine-covered house, the bottomless pit of the pool, and most of all, beautiful mad Ellen, lured me ever closer into the baited trap... In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Dime Mystery Magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story the pages of Dime Mystery Magazine, reissued for today’s readers in electronic format. $0.99.
All eBooks produced by Radio Archives are available in ePub, Mobi, and PDF formats for the ultimate in compatibility. When you upgrade to a new eReader, you can transfer your eBooks to your new device without the need to purchase anything new.
Special Brian Lumley Issue! The Winter 1989/1990 issue of Weird Tales showcases Featured Author Brian Lumley (who contributed 3 stories and an interview) and Featured Artist Vincent di Fate (who contributed all the artwork). Also includes Keith Taylor, Phyllis Ann Karr, and more. 148 pages.
Weird Tales: The Unique Magazine
From March of 1923 to September of 1954, Weird Tales was the most influential of all pulp magazines in the horror and fantasy genres. Weird Tales has enjoyed a devoted following for many decades as the very first magazine of gothic fantasy, sci-fi, and horror. Founded in 1923, the pioneering publication introduced the world to such counter-culture icons as Cthulhu the alien monster god and Conan the Barbarian. Weird Tales is well known for launching the careers of great authors like H.P. Lovecraft, Ray Bradbury, and Robert E. Howard — even, Tennessee Williams made his first sale here! — not to mention legendary fantasy artists like Virgil Finlay and Margaret Brundage. The magazine’s influence extends through countless areas of pop culture: fiction, certainly, but also rock music, goth style, comic books, gaming… even Stephen King has called Weird Tales a major inspiration.
Weird Tales: The Modern Magazine
After the original magazine operation folded in 1954, there were several brief attempts to revive it — reprint anthologies in the ’60s, four new magazine issues in the ’70s, four original paperbacks in the early ’80s — before the resurrection finally achieved full-fledged afterlife under editor-publishers George H. Scithers, Darrell Schweitzer and John Gregory Betancourt. Beginning in 1988, Weird Tales has been published more or less continuously. These 25 year old magazines are Brand new and have never been read. Radio Archives is proud to have a large inventory so that everyone can have a copy of this great magazine. $9.95
The Knight of Darkness crushes supercrime in thrilling pulp novels by Walter B. Gibson and Theodore Tinsley writing as "Maxwell Grant." First, concealed within an ancient mummy case, The Shadow smuggles himself into a criminal mastermind's "The Crime Crypt" using the same gimmick that Doctor Doom reprises in the 1950 Batman story, "1,001 Trophies of the Batcave." Then, The Shadow battles "The Green Terror," a criminal whose use of scientifically induced fear preceded the Scarecrow's infamous modus operandi. Finally, in a classic radio script that foreshadowed Batman's landmark Ra's Al Ghul saga, Lamont Cranston dies so that The Shadow can go undercover to battle a super-villain who has discovered his secret identity in "Can the Dead Talk?" BONUS: Film historian Ed Hulse examines the glaring plot similarities between the 1994 SHADOW film and 2005's BATMAN BEGINS! This deluxe pulp reprint showcases the original color pulp covers by George Rozen and Graves Gladney and the classic interior illustrations by Tom Lovell and Earl Mayan with historical commentary by Will Murray and Anthony Tollin. Double Novel Reprint $14.95
The Knight of Darkness battles murderous supervillains in two thrilling pulp novels by Walter B. Gibson writing as "Maxwell Grant." First, The Shadow wages a final battle against his greatest enemy, Shiwan Khan, in "Masters of Death." Then, savage drums promise eerie menace when Professor MacAbre attempts to bring "Voodoo Death" to The Shadow and Margo Lane! BONUS: A murderous Shadow uses the power of invisibility for evil and sets a deadly trap for Lamont Cranston in "The Shadow Challenged." Which Shadow will have the last laugh? This deluxe pulp reprint showcases the original color pulp covers by Graves Gladney and Modest Stein and the classic interior illustrations by Edd Cartier and Paul Orban with historical commentary by Will Murray and Anthony Tollin. Double Novel Reprint $14.95
The pulp era's greatest superhero returns in two startling novels by W. Ryerson Johnson, Lester Dent and William Bogart writing as "Kenneth Robeson." First, The Man of Bronze and Patricia Savage are confronted by "The Motion Menace," an invisible threat that renders modern weaponry obsolete! Then, in "Fire and Ice," a Canadian distress signal leads Doc Savage to a beautiful woman, a mysterious strongbox and a hidden secret society. BONUS: a Golden Age classic from the pages of Doc Savage Comics. This instant collector's item leads off with the classic 1937 color pulp cover by Emery Clarke and also includes all the original interior illustrations by Paul Orban plus historical commentary by Will Murray, author of thirteen Doc Savage novels. Double Novel Reprint $14.95
The pulp era's legendary superman returns in two super-powered pulp novels by "Kenneth Robeson" that inspired classic supervillains from the Marvel Age of Comics. First, the Man of Bronze battles "The Metal Master," a criminal genius with the power to manipulate the molecular structure of metals. Then, Doc Savage is sent to prison when he's framed by the murderous teleporter called "The Vanisher." PLUS: Stan Lee and Jack Kirby recall their teenaged fascination with pulps, and Dave Cockrum's 1979 artwork from his proposed Doc Savage newspaper strip. This instant collector's item showcases James Bama's spectacular cover painting, the original color pulp covers by Robert G. Harris and Walter Baumhofer and all the original interior illustrations by Paul Orban, with historical commentary by Paty Cockrum and Will Murray.. Double Novel Reprint $14.95
This is an authentic replica of an original pulp magazine published by Girasol Collectables. This edition is designed to give the reader an authentic taste of what a typical pulp magazine was like when it was first issued - but without the frailty or expense of trying to find a decades-old collectable to enjoy. The outer covers, the interior pages, and the advertisements are reprinted just as they appeared in the original magazine, left intact to give the reader the true feel of the original as well as an appreciation for the way in which these publications were first offered to their avid readers. To further enhance the “pulp experience”, this edition is printed on off-white bond paper intended to simulate the original look while, at the same time, assuring that this edition will last far longer than the original upon which it is based. The overall construction and appearance of this reprint is designed to be as faithful to the original magazine as is reasonably possible, given the unavoidable changes in production methods and materials. Pulp Replica $35.00
Doc Savage: The War Makers
by Will Murray and Ryerson Johnson, writing as Kenneth Robeson, cover illustration by Joe DeVito
All over the Midwest, cars and trucks were crashing—stopped in their tracks by an inexplicable force! Had some unseen power targeted America’s automotive industry—or was something more sinister at stake?
Summoned to solve the mystery, Doc Savage and his intrepid men follow a trail of terror that winds through the continental United States like a constricting serpent of senseless destruction.
Summoned to solve the mystery, Doc Savage and his intrepid men follow a trail of terror that winds through the continental United States like a constricting serpent of senseless destruction.
From the nation’s car capital to the North Pole, the Man of Bronze races to stave off a strangely familiar menace only to confront a completely unexpected foe—the enigmatic Baron in Black! Softcover $24.95
by Will Murray and Lester Dent, writing as Kenneth Robeson, cover illustration by Joe DeVito
What is the Blind Death? New York’s newshawks work overtime in a flurry of flashbulb explosions as they clamor for the scoop on the insidious wave of corpses turning up around the city, all struck dead, eyes turned an unseeing ivory by the masked mastermind known as… White Eyes.
As police riot guns and gangland Tommy-guns turn New York City’s winter snows scarlet, Doc Savage, man of mystery, giant of bronze, discovers that the mysterious plague is part of an audacious scheme to unite all of New York’s criminal elements against him. White Eyes’ ultimate goal—to seize the fabled Mayan wealth of the Man of Bronze!
As police riot guns and gangland Tommy-guns turn New York City’s winter snows scarlet, Doc Savage, man of mystery, giant of bronze, discovers that the mysterious plague is part of an audacious scheme to unite all of New York’s criminal elements against him. White Eyes’ ultimate goal—to seize the fabled Mayan wealth of the Man of Bronze!
From snowbound Manhattan to the sugar-cane fields of tropical Cuba, Doc Savage and his Iron Crew wage what may be the greatest battle for survival of their careers! Softcover $24.95
Comments From Our Customers!
Mike Hopper writes:
Thanks! We really enjoy these radio shows! Thanks for your great work restoring these classics!
Rowena Muldavin writes:
I just found your website while searching for Wilms Herbert and read your nice piece about Richard Diamond. What a great show! You have a really nice website, and all of us who treasure old time radio thank you for your efforts.
Andy Woods writes:
The man-hours spent restoring the radio shows are very apparent. I have never heard old time radio shows sound so phenominal. There is no one to compare - there really isn't. You have clearly acquired some great transcription discs. You can rest assured I promote you anywhere and everywhere I can.
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